In Between Hands 

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I began to question the idea of seeing the street as it is. 
The sharp reality captured by the camera felt distant from the inner sensations I experience in everyday life. 
Modern life is filled with constant stimulation. 
We believe we see everything clearly as scenes rush past us, yet what remains in our minds is often not a vivid memory, but a blurred afterimage. 
The city I experience is not clear. 
Moving through crowds of people, I often feel isolation, loneliness, and emotions that are difficult to explain. These feelings do not take a definite shape. They remain as fragmented sensations and unstable impressions. 
When I shake the camera, forms collapse and only traces of color, light, and movement remain on the surface. These blurred images resemble the way I sense the city. 
People and space are no longer clearly separated. 
The city becomes a background, and figures pass like fleeting traces. Everything blends into a continuous flow, and within it I encounter a blurred version of myself. 
Although this work creates painterly images, it is not simply for visual effect. It seeks to reveal the uncertain presence of individuals living in the city, and the scattered emotions that linger within a dry and restless daily life. 
There are things that cannot be seen through direct documentation. 
Through blurred images, I try to express those invisible emotional residues. 
The city I see is not clear. 
And perhaps our inner world is not clear either.